Catégorie : Exposition
MAY 7 DADA @LPR
Three Rooms Press presents Part 2 of the 7th Annual
NYC Dada Poetry and Performance Salon
featuring the NYC launch of
Maintenant 8: A Journal of Contemporary Dada Writing & Art
PLUS
Silent Auction of Original Drawing
by French/American Artist MARY BEACH
Wednesday, May 7, 7 pm in The Gallery at Le Poisson Rouge
Admission free
Modern day Dada poets, collagists, performers and artists are creating disruptive, controversial and thrilling works that continue the spirit of the avant garde art movement sprung from the horror of World War I. Their work will be featured the 2nd of two NYC Dada Poetry and Performance Salons on May 7 in The Gallery at Le Poisson Rouge. Additional information and reservations: info@threeroomspress.com. Costumes encouraged! The event will feature readings and performances by Los Angeles-based performance artist Doug Knott, British-American sound-visual poet Jane Ormerod, world-renowned beat-jazz poet Steve Dalachinsky, DADA-NYC founders Robert Hieger and Joanie Hieger Fritz Zosike, the Dude of Dada Peter Carlaftes, art by avant-garde photographer Philip Scalia plus a silent auction of original artwork by famed French/American artist Mary Beach.
Original drawing by Mary Beach to be auctioned 5/7
About the SILENT AUCTION of Mary Beach original artwork
ORIGINAL DRAWING by MARY BEACH (1989) will be available at Silent Auction on Wednesday May 7th at The Gallery @LPR (7-9:30pm). Three Rooms Press is excited and honored to present this rare opportunity to own an original work of art from one of the most accomplished women artists of the latter-part of the 20th Century. The bidding will start at $500.
Claude Pélieu and Mary Beach met in 1962 and, until Claude’s unfortunate passing in December of 2002, shared an exemplary rich and creative life. Traveling extensively while living primarily in Paris, New York and San Francisco, their existence was a bohemian adventure during which they ceaselessly explored and continuously created: With a keen and graceful eye they deconstruct, critique and reinterpret the classical and contemporary worlds of art and media, while creating striking new works of wit and beauty — drawing subconscious associations that are both mysterious and poetic. Long hailed in Claude’s native France as the natural inheritors of the Surrealist legacy (a direct line has been drawn by French critics from Picasso and Braque to Schwitters and Duchamp to Warhol and Pélieu), their works are highly prized and respected. However, in Mary’s native America, the pair remains relatively unknown, their work still awaits discovery by both mainstream critics and collectors. Additional information about Claude Pélieu and Mary Beach here.
Maintenant 8: A Journal of Contemporary Dada Writing and Art
About MAINTENANT 8: A Journal of Contemporary Dada Writing and Art
A stunning annual collection of contemporary Dada writing and art by an international array of sensational artists. Provocative, disruptive and essential for collectors of contemporary radical art. Maintenant 8: A Journal of Contemporary Dada Writing & Art (ISBN: 978-0-9895125-1-0, Three Rooms Press, $15.95) is the seventh edition of an annual collection of contemporary Dada work inspired by Dada instigator and Three Rooms Press spiritual advisor Arthur Cravan. Since 2008, the Three Rooms Press series has collected outsider art, poetry, mail art, collages and more from around the world. Maintenant 8 features art and visual poetry by a wide range of internationally recognized creators and provocateurs including William S. Burroughs, Jerome Rothenberg, Charles Plymell, Grant Hart, Mike Watt, Exene Cervenka, Pontus Carle, Irene Caesar, Volodymyr Bilyk, John M. Bennett, Giovanni Fontana, S.A. Griffin, Fausto Grossi, Patrice Lerochereuil, Gerard Malanga, Kazunori Murakami, Paolo Pelosini, Johan Reisser, Poul Weile and many more. The series has been recognized worldwide as a leading source of contemporary Dada art and writing, with editors invited to present material from the journal with contributors at events in New York, Los Angeles, London, Paris and Berlin.
What the heck is Dada?
The original Dada movement peaked from 1916-1922, primarily involved visual arts, literature—poetry, art manifestoes, art theory—theatre, and graphic design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. In addition to being anti-war, dada was also anti-bourgeois and anarchist in nature.
Gerard Malanga Poster (Glasgow International)
Gerard Malanga Poster (Glasgow International)
galerie didier devillez, focus avril 2014
GALERIE DIDIER DEVILLEZ
53 rue Emmanuel Van Driessche – 1050 Bruxelles (Belgique)
Tél./Fax +32 (0)475 931 935
Vernissage exposition jacques aron, galerie didier devillez
Retrouvez l’exposition Jacques Aron sur http://www.galeriedidierdevillez.be/expo.php
GALERIE DIDIER DEVILLEZ
53, rue Emmanuel Van Driessche • 1050 Bruxelles (Belgique) • +32(0)475 931 935
Exposition Anthony Rousseau
MONSIEUR LAURENT DUPORGE, MAIRE DE LIÉVIN
MADAME HÉLÈNE FLAMENT, ADJOINTE À LA CULTURE
MONSIEUR HASSAN AMRANI, DIRECTEUR DU CENTRE CULTUREL ARC EN CIEL
LE CONSEIL MUNICIPAL DE LIÉVIN
ONT LE PLAISIR DE VOUS CONVIER AU VERNISSAGE DE L’EXPOSITION
ANTHONY ROUSSEAU
Lundi 17 mars 2014 > 18:30
Anthony Rousseau est un artiste plasticien qui réalise depuis quelques années des créations audiovisuelles, qui sont diffusées dans de nombreuses manifestations artistiques et culturelles au niveau local et international ainsi qu’à la télévision.
L’ensemble de ses travaux se concrétise par des recherches et expérimentations autour de l’image fixe, l’image mouvement et la matière sonore. Ils prennent la forme de vidéo, photographie, bande sonore, performance et installation interactive.
Ses processus de créations sont liés pour la plupart aux usages des nouvelles technologies de l’information et de la communication qui favorisent la transversalité des supports de création et de diffusion, mais aussi l’hybridation et les échanges entre média. Ainsi les différentes expérimentations et recherches qu’il mène se concrétisent par des créations qui sont autant d’étapes d’un travail en cours, préambule à une création rhizomatique
A l’occasion du vernissage, vous découvrirez le travail mené par l’artiste avec les familles suivies par la Maison du Département Solidarité de Liévin et de Lens, du CLSH Bidule et de l’association « coup de pouce pour grandir »
Partenariat
MDS Lievin et Lens, Clsh Bidule, coup de pouce pour grandir
Pré visite pour les enseignants le lundi 17 mars de 17h30 à 18h30
Goût’Art : Animation gratuite pour les enfants à partir de 6 ans et leurs parents le mercredi 26 mars et samedi 29 mars 2014 de 14h30 > 17h00 sur réservation obligatoire
Visite commentée du 14 mars au 26 avril 2014
Horaires
Visible du 14 mars au 26 avril 2014
Du mardi au vendredi de 14h à 19h. Le samedi de 14h à 17h
Le mercredi de 10h à 12h. Ainsi que les jours de spectacle.
en savoir +
www.arcenciel-lievin.fr
Place Gambetta, Liévin 62800 tél > 03 21 44 85 15 réservation tél > 03 21 44 85 10
FRAC Nord/Pas de Calais
Le Fresnoy / Studio National des Arts Contemporains
Pays d’Art et d’Histoire
focus mars 2014 – galerie didier devillez
GALERIE DIDIER DEVILLEZ
53 rue Emmanuel Van Driessche – 1050 Bruxelles (Belgique)
Tél./Fax +32 (0)475 931 935
focus février 2014, galerie didier devillez: Brion Gysin
Brion Gysin
The multimedia artist, poet and novelist Brion Gysin may be the most influential cultural figure of the twentieth century that most people have never heard of.
Gysin (1916-1986) was an English-born, Canadian-raised, naturalized American of Swiss descent, who lived most of his life in Morocco and France. He went everywhere when the going was good. He dabbled with surrealism in Paris in the 1930s, lived in the « interzone » of Tangier in the 1950s and traveled the Algerian Sahara with Sheltering Sky author Paul Bowles before moving into the legendary Beat Hotel in Paris.
Gysin’s ideas influenced generations of artists, musicians and writers, among them David Bowie, Keith Haring, Patti Smith, Michael Stipe, Genesis P-Orridge, John Giorno and Brian Jones of the Rolling Stones. None was touched more profoundly than William S. Burroughs, who said admiringly of Gysin: « There was something dangerous about what he was doing. »
It was Gysin who introduced the Rolling Stones to the exotica of Morocco and took Stones’ guitarist Brian Jones to Jajouka where he recorded the tribal musicians performing the Pipes of Pan. It was Gysin who provided the hashish fudge recipe published in Alice B. Toklas’ cookbook, promising « ecstatic reveries and extensions of one’s personality on several simultaneous planes. » It was Gysin who introduced Burroughs to an automatic writing method called the cut-up, a literary progenitor to sampling. And it was Gysin who developed with Ian Sommerville The Dream Machine, a device that allowed people, with the flick of a switch, to access altered states of consciousness without drugs.
Didier Devillez
Galerie Didier Devillez, Brussels, 2014
GALERIE DIDIER DEVILLEZ
53 rue Emmanuel Van Driessche – 1050 Bruxelles (Belgique)
Tél./Fax +32 (0)475 931 935
Bienvenue à Interzone 